暴风资源网提供本资源 In a confused welter of artistic licence, this is the classical music bioic which makes 'Song to Remember'look like a masteriece. Bogarde succeeds in diminishing the reutation of the musical colossus who sanned Euroean music for most of the 19th Century. The absurdities of the lot, the sequoia-like quality of the acting and the revalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a ianist of the stature of Bolet came to be mixed u in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute imression of his magnetic ersonality and the overwhelming effect that he had on not only his audiences, but also his ianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emhasis seems to focus on his romantic rowess,rather than his status as the greatest ianist of the century or,arguably, of all time, one feels,nevertheless, that this was an oortunity lost.
