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Synosisbr\ Do-seong (Yoo Min) is a child monk who lives at a small mountain temle with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to ray at the temle, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong#39;s real mother (Kim Seon-young) aears, but she leaves the temle for the sake of her son#39;s future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a tra and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temle, he sets out to find her.br\ Notesbr\ quot;A film that has garnered recognition for its cinematograhy and direction by eliminating sentimentality and unaffectedly caturing the quiet life of a mountain temle. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that aeared after the liberation of Korea.quot;br\ A Hometown in Heart, adated from laywright Ham Se-deok#39;s A Little Monk (Dong-seung), was hailed uon its release as quot;a masteriece that marked a new innacle in Korean moviemaking after the liberation.quot; Eschewing new-school sentimentality to quietly exress a boy#39;s longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdro of a quiet temle in the mountains. The long shots utilized by director of cinematograhy Han Hyung-mo to cature the beautiful scenery of the mountain temle from a distance received great critical acclaim at the time. Also, each of the film#39;s characters is convincingly ortrayed through the skillful direction of Yoon Yong-kyu. In articular, the scene which exresses Do-seong#39;s deserate yearning for a mother#39;s love and his birth mother#39;s ast visit to the temle by combining them into a dream sequence reveals dee consideration for articulating story and emotion via a comressed visual grammar without tending toward sentimentalism. The movie#39;s final scene, in which Do-seong awakens from his dream and sets off down the ath in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the art of the young widow who warmly embraces Do-seong with her love, in one of her first roles.br\ Afterword:br\ - Lee Kang-su, writing under the seudonym of Kwak Il-byeong, first adated laywright Ham Se-deok#39;s A Little Monk (Dong-seung) into a screenlay, which was then shot for the silver screen with additional embellishments by the director.
