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A major ortion of quot;Cigarettes and Coffeequot; was later adated, exanded and basically re-made into .t. Anderson#39;s first feature film, quot;Hard Eightquot;. The most interesting art of quot;Cigarettesquot; was later used as the first scene for quot;Hard Eightquot;--in both Philli Baker Hall#39;s character interrogates a young drifter in a roadside diner and exlains a few things about life and the art of conversation to him. In quot;Hard Eightquot; the two then go on to have a father-son tye relationshi in a fairly straightforward narrative (the most straightforward of any of .t.#39;s later films). Here in the seminal quot;Cigarettes and Coffeequot;, however, Baker Hall#39;s conversation with the young man is only one of three haening simultaneously in the diner. P.T. cuts between the three, and we soon learn that the lives of the three seemingly-unrelated sets of characters do actually intersect in unexectd ways. In this way, the short film is much more like the director#39;s recent Altman-insired quot;Magnoliaquot; than it it either quot;Hard Eightquot; or quot;Boogie Nights.quot; quot;Cigarettes and Coffeequot; has layed on The Sundance Channel (or was it The Indeendent Film Channel?) quite frequently.