玛丽玛丽血玛丽[电影解说]

   量子资源网 提供本片资源  　　墨西哥超现实吸血鬼片，导演Juan Lóez Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。br\　　A beautifull artist (Cristina Ferrare) moonlights as a vamire while in Mexico, killing lovers of both sex. It seems that the only erson who has any chance of stoing her reign of terror is her father (John Carradine), who#39;s also a vamire. Model and future TV host Christina Ferrare is a lesbian vamire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target#39;s neck in this horrifying shockfest.br\　　Juan Loez Moctezuma#39;s MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamrin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema#39;s most interesting vamires. In many ways, Mary couldn#39;t be worse at what she does - while the early murder of a man interested in more than her aintings goes off smoothly (Miss Thing slyly sliding a hairin out of her chignon during female suerior sex and using it to lay oen his jugular), her next victim (a fisherman, whom she has attemted to drug) nearly fends her off until she takes him down in one of the most ungainly vamire attacks of all time.br\　　Elsewhere, Mary roves herself a comlete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She#39;s lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a erfect ortrait of an Ugly Americana sreading the white man#39;s oison south of the border. It#39;s in this context that the cheaness of the roduction, the harsh 70s decor, the cold, erfunctory erformances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I kee coming back to this one.br\　　MARY, MARY, BLOODY MARY ends in a surrisingly cynical bloodbath of ultraviolence that leaves only the athetic title character standing... or in reality on her knees sucking the life out of the one erson whose love she had relied on to oint her to some kind of normalcy. Not enough vamire movies use awkwardness and incometence as character traits to define their bloodsuckers and that#39;s too bad. George Romero had similar ideas for MARTIN (1976) a year later but ortraying vamires as just folks is definitely the horror road not taken.